What I remember about the show is the scarifying ringing in my ears for a week afterward, but there was a current running through the performance that had nothing to do with the band's considerable Marshall backline. Seven months before the show, following a show in Queens, Johnny had been involved in a street confrontation with twenty-two year old Seth Macklin, a member of the punk band Sub Zero. According to an August 16, 1983 New York Times account, Ramone "suffered a fractured skull during a fight . . . that began at 3:50 A.M. when Mr. Ramone encountered Mr. Macklin with a young woman Mr. Ramone had dated, according to Sgt. Peter Ruane, a police spokesman."
Mr. Ramone, who was born as John Cummings, was injured when Mr. Macklin kicked him in the head near the end of the fight, Sergeant Ruane said. Mr. Macklin was arrested on assault charges and Mr. Ramone was taken to St. Vincent's Hospital where he underwent surgery. The hospital refused to disclose Mr. Ramone's condition.
The following day, the Times reported that "punk-rock star" Ramone was in stable condition, and "Mr. Ramone's friend" was identified as Cynthia Whitney, twenty-two; Macklin, who wasn't injured, "was arrested and charged with first-degree assault, according to the police. He was arraigned and released in his own custody."
Here's an account in the Prescott, Arizona Courier of the so-called "jealous rage":
Johnny didn't talk about the incident much afterward until his posthumously published autobiography, Commando (which I wrote about here.) He devotes a page to the incident, acknowledging that he remembers little of the attack that put him in the hospital for ten days. "I was thankful that I didn’t have brain damage and that I was okay," he wrote, "but other people said that they saw something different about me after the attack."
They thought that it had changed me. I didn’t feel any different, but I began to be more cautious, and looked to avoid confrontational situations. I didn’t back down, of course, because New York is a confrontational place. But I watched situations more carefully, even people around the Ramones who might want to get too close. I did not want to get into another ﬁght. I saw the damage that it had done. I was now more vulnerable to head injuries.
they played faster than they ever had.
There are a lot factors that affect the memory of a great show: the songs; the performance; the venue; the size of the crowd; the drugs or alcohol coursing through or absent from your body. Within minutes, driving or walking home afterward, a show can grow large in our retelling of it. Also graphically affecting a show are the stories that we carry inside of ourselves as we're rocking out, narratives that may or may not have happened to those guys and girls up there onstage, or next to me on the floor, but which cast the evening on an even larger stage.
Anyway, RIP John Cummings. Turn it up: