"No Other Baby" evokes deep-seated devotion in the face of temptation, glad luck in a random world. The singer has "lots of other women" saying to him "be my daddy, do," and one's just down the hall, alluring. But he only wants his one girl. The melody is unfussy; the sentiment is confident, cocksure even, in defense of faithfulness and pride. It's hot stuff. One listen and it's understandable how the tune could linger in one's consciousness over decades. McCartney doesn't mention where or how he knows the song—he might've heard the Vipers' single, maybe a mate had it or it was on a jukebox somewhere. But it stuck. His take on the song four decades later is utterly terrific, one of his great late-career performances, sexy and casually assured. The Vipers' version is sprightly and peppy, but McCartney tempers his exultation with a bit of caution, as if it could all go away. He slows down the tempo, bathes the song in reverb, and eliminates the pleading final verse. His restraint was perhaps inevitable, as he was grieving, and the words must've carried unbearable poignancy: he recorded it at Abbey Road eleven months after his wife Linda died of cancer.
Here's McCartney's version, as well as the Vipers', American country singer Bobby Helms' from 1958, and the original by Dickie Bishop and the Sidekicks, another U.K. skiffle group, from 1957. Enjoy. I bet it'll get stuck in you for years, too.
2 comments:
The Vipers version may very well have been produced by George Martin.
That's interesting. I know little about them. Maybe that's how McCartney came to hear it.
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